Theatre

Pool (no water)

Can you love someone and hate them at the same time? Rhodes
Theatre Guild and Weightless Aerial Company explore the tension
between the successful and the jealous using acrobatics, aerial,
and broken bodies.

by Mark Ravenhill 
co-directed and choreographed by Callie Compton and Damian Stuchko

Pool (no water)

Can you love someone and hate them at the same time? Rhodes
Theatre Guild and Weightless Aerial Company explore the tension
between the successful and the jealous using acrobatics, aerial,
and broken bodies.

by Mark Ravenhill 
co-directed and choreographed by Callie Compton and Damian Stuchko

Pool (no water)

Can you love someone and hate them at the same time? Rhodes
Theatre Guild and Weightless Aerial Company explore the tension
between the successful and the jealous using acrobatics, aerial,
and broken bodies.

by Mark Ravenhill 
co-directed and choreographed by Callie Compton and Damian Stuchko

Pool (no water)

Can you love someone and hate them at the same time? Rhodes
Theatre Guild and Weightless Aerial Company explore the tension
between the successful and the jealous using acrobatics, aerial,
and broken bodies.

by Mark Ravenhill 
co-directed and choreographed by Callie Compton and Damian Stuchko

Violet

As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved, she's traveling across the Deep South in 1964 towards a miracle—the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections." –Music Theatre International

Violet

As a girl, Violet was struck by a wayward axe blade when her father was chopping wood, leaving her with a visible scar across her face. With enough money finally saved, she's traveling across the Deep South in 1964 towards a miracle—the healing touch of a TV evangelist who will make her beautiful. Although she may not succeed in having the scar on her face healed, Violet is able to repair those scars that are lying deeper than her skin. On the way, she meets a young, African-American soldier whose love for her reaches far past her physical "imperfections." –Music Theatre International

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